Archive
2013.10.01
The image of the Kabukiza Theater that has been loved for many years
Design: Antique materials convey an aura of history and brighten up the building
Architectural Design Satoru Satoru Sumitani
Design Construction Supervision: Design and Construction Supervision of a high-performance office tower that harmonizes with the Kabukiza Theatre
Architectural Design Division IV Takushu Arai
The idea is to fuse the long-loved Kabukiza Theater with a high-rise office building without destroying its image.
The design team took on this unprecedentedly difficult task.
What did they pay particular attention to in order to faithfully reproduce the atmosphere of the previous Kabukiza?
Antique materials convey an aura of history and brighten up the building
Design Architectural Design manager: Satoru Satoru Sumitani
This is an unprecedented project to rebuild a traditional Kabuki theater while preserving its design, and to combine it with an office building. I was in charge of the design of the theater portion, and conducted historical research and actual measurement surveys to ensure the preservation of the previous Kabuki theater.
First, we started by understanding the shapes and construction methods of the roof tiles, kumimono (parts that support the eaves on the pillars), and fittings, which are characteristic designs. Based on the results, we were committed to using old materials as much as possible, and for example, the upper part of the main entrance is equipped with a "flower-patterned transom" made from recycled wood from the fourth period. This is a design that was passed down from the third period to the fourth period. In addition, we preserved and reused stone and wood materials, including the karahafu (gabled roof) and "kazari metal ornaments" used inside the theater. In particular, repairs to the old materials were kept to a minimum for the frame stone of the main entrance door and the wooden proscenium arch on the stage, intentionally leaving the nail marks and scratches that have been carved by time. Old materials that have been around for a long time give off an aura. By inheriting the design of the fourth period and incorporating original old materials, the inherited parts come to life and the whole gives a sense of the inheritance of time. I think that the old materials convey the aura of history and add a gorgeous touch to the Kabukiza in the fifth period.
/Bottom: Fifth Kabukiza
On-site, as the person in charge of the theater's facade, I worked closely with the Kuma office, the contractor, and the lighting designer, and held numerous meetings to discuss the fit of facade material and the reuse of materials. I verified the reused metal fittings by matching them to the full-scale drawing of the roof area, and ultimately created a mock-up to check the fit, color, construction method, and appearance of each component when lit up. facade team came together to carefully determine the merits and demerits of textures and joints so that the diverse materials that make up the main facade components, such as PC boards, GRC, aluminum, roof tiles, and metal fittings, would blend in with the whole, and the fifth phase of facade was realized. It was a continuous string of really difficult work, but there were many exciting moments, such as when the scaffolding on site was removed and part of the fifth phase of facade was revealed on Harumi-dori Street.
The moment life was breathed into a dormant theater
The happiest moment of participating in this project was seeing many customers entering the newly completed fifth Kabukiza. The theater, which had seemed asleep until the roof was removed, was brought back to life and given a new lease of life. After all, a building only comes to life when it is used. On a personal note, my grandmother, who was born in the Taisho era and has known the theater since the third Kabukiza, said to me, "The white exterior walls are beautiful, and the new Kabukiza is the best." I was also happy when she said this. The fourth Kabukiza was dirty from the effects of ultraviolet rays and exhaust fumes, so although it had a warm feel, it couldn't be this color from the start for a new renovation. After conducting a color test, we concluded that the previous building must have been close to the white color of the plaster, and we chose the paint with great care. It felt like our efforts were recognized.
Design Construction Supervision of a high-performance office tower that harmonizes with the Kabukiza Theatre
Design Construction Supervision: Takushu Arai, Architectural Design Division IV
I joined this project as a designer when construction had already begun. I was in charge of Construction Supervision the interior and facade of the high-rise tower and the underground connections. I Construction Supervision a huge amount of things on site, including whether the design drawings were properly reflected in the construction drawings and the fit of the small details. I consulted with Kuma and his office on the selection of colors and materials.
Construction Supervision is a role that requires strict adherence to the construction schedule, ensuring the safety of the building while keeping costs in mind, and completing the project on time. Our company has long maintained a policy of strict Construction Supervision. However, communication with the contractor is important, and we were conscious of the stance of "Let's create something good together."
Realizing the strength of having professionals in each department
We thoroughly tested the performance of each part, assuming heavy rain, extremely strong winds, earthquakes, etc. When a problem arose, we worked together with the people in charge of design, facilities, and structure to come up with a solution. In that respect, I think we were able to take advantage of our strength as an organization of professionals in each department.
The color of the tower's exterior was an issue that we struggled with on site. White is particularly difficult. It's huge, and this time it serves as the backdrop for the Kabukiza Theater, so it can't stand out. The impression is different on sunny days and cloudy days, so we also had to consider how it would match the color of the theater itself. We went through the mockups many times to consider the design.
The Kabukiza Tower serves as the backdrop to the Kabukiza Theater and plays a supporting role in terms of the exterior design. Although it plays a supporting role, I believe it is able to provide high-performance, high-added-value office space to office tenants.
This special feature was compiled in 2013. The titles of each person in charge are those from that time.
OTHER INTERVIEWS
Featured GINZA KABUKIZA
The technology and experience cultivated by Mitsubishi Jisho Design was brought together
The need to preserve history within the framework of urban regeneration
GINZA KABUKIZA architectural design and construction supervision services
Project Manager
Architectural Design Department 4 Kazunori Nomura
Featured GINZA KABUKIZA
The former Kabukiza
Inheriting “invisible goodness.”
Chief Designer
Architectural Design Department 4 Kazuhiro Ishibashi
Featured GINZA KABUKIZA
The image of the Kabukiza Theater that has been loved for many years
Design: Antique materials convey an aura of history and brighten up the building
Architectural Design Satoru Satoru Sumitani
Design Construction Supervision: Design and Construction Supervision of a high-performance office tower that harmonizes with the Kabukiza Theatre
Architectural Design Division IV Takushu Arai
Featured GINZA KABUKIZA
The challenge: creating a pillar-free theater space
Taking on the challenge of "supporting a super-tall tower"
Structural Engineering the challenge of building a super-tall tower on a column-free space
Structural Engineering Department: Yoji Ishibashi
Construction Supervision Megatruss achieves unprecedented precision
Construction Department: Yuji Nakajo
Featured GINZA KABUKIZA
While inheriting the design of its predecessor,
Updated for the latest features
Mechanical MEP Engineering Making the most of the previous design to create a more functional building
Mechanical MEP Engineering Department Atsushi Nakamura
Electrical MEP Engineering functions unique to a Kabuki theater
MEP Engineering Division: Yasunori Yamaguchi
Featured GINZA KABUKIZA
As a "complex cultural hub"
New Kabukiza Theatre
Urban planning: The new Kabukiza was launched as a multi-cultural hub
Urban Development Management Department Takeshi Tomita
Landscape Design Based on the theme of "Teiyaku Ichinyo" (building and garden are one)
Urban Environmental Planning Department, Noriyoshi Matsuo
Update : 2013.10.01