Archive
2015.12.01
Series | Old Drawings Journey No. 07
Building No. 21 (1914-1961) [From Sone to Yasuoka, and then to Sakurai Kotaro]
Tomoyoshi Ejima
*The numbers in the diagram indicate the building number (e.g. ① is Building 1).
However, the roof heights are different. Facing building facade are aligned. Streetscape, relay design.
Marunouchi began with Building 1 by J. Condor, and developed into Buildings 4 to 7 by Tatsuzo Sone. Later, Buildings 8 to 21 were designed by Katsuya Yasuoka, and the streetscape of Babasaki-dori and Nakadori was completed. This article outlines what Yasuoka inherited from Condor and Sone, and what he passed on to Kotaro Sakurai later on. Yasuoka designed Buildings 8 to 11 on the north side of Nakadori, inheriting the relationship between the designs of Buildings 4 and 5 and Buildings 6 and 7 by Sone (the design of Nakadori was simplified compared to Babasaki-dori, and facade of the buildings facing it were made uniform), and on the south side, he designed Buildings 14 and 13, inheriting the design of Babasaki-dori. Buildings 14 and 15 are thought to have inherited Sone's design techniques, just like the north side of Nakadori. However, he did not simply inherit them, but added another twist to them. First, a tower-like design was added toward the intersection where buildings 14, 15, 18, and 20 face each other. Secondly, building 21, Yasuoka's last work, had a flat roof instead of the roof that buildings 20 and 30 had, making it a groundbreaking piece of architecture that attempted a transition from the British style to the large-scale American style. From then on, Sakurai developed architectural designs with flat roofs, and began to explore designs that could accommodate larger office buildings with greater depth.
The copyright and other rights of the content (information, materials, images, etc.) on this website belong to our company or to rights holders who have granted us permission to use it. Copying, diversion, alteration, distribution, etc. of these contents without permission beyond the scope permitted by law is prohibited.
Author's Profile
Tomoyoshi Ejima
Tomoyoshi Ejima
The fun of working with historical buildings is solving mysteries, like reading a detective novel. Why this design? How does it fit? We solve these mysteries as if we were having a conversation with the original designer, searching for originals and finding new value in them.
Update : 2015.12.01