Archive
2014.08.01
Series | Manufacturing Perspective No. 71
The importance of drawing a single line
Akihiko Watanabe
I have been designing buildings for over 30 years. I have never counted, but I have been involved in quite a number of buildings. Among them, the first project I was in charge of is particularly memorable. It was an apartment building near Meguro Station. It was in a quiet area with lots of greenery, where there are mansions and embassies, and it was formerly the residence of a company executive. The site was very irregular and had a poor road layout. In addition to strict shade regulations, we left as many large trees as possible, so the building ended up with a complex shape like a pile of building blocks. Moreover, we had to clear the shade within the maximum volume limit. This was in an era when computers did not exist yet. The conditions were complex, and it would have been a daunting task to consider them using the hand-drawn drawing method I learned in college. Fortunately, we had a shade program that had just been developed in-house, and we decided to make full use of it. We only had one device to input data, so we spent several hours in the evening inputting data and running the batch so as not to cause any trouble. With the computers of that time, the calculations took until the next morning. I would come to work hoping for results, but because the shape was irregular, there were many input coordinates, which exceeded the computer's processing capacity, and errors occurred many times. Every day, we had the program developer adjust it, and we repeated trial and error. I remember that about four days later, I was finally able to draw a shadow map that met the regulations. I had just barely cleared the regulations, but I had no confidence that the results were correct. The contents of the program were a black box. When I showed the output to my boss, he glanced at it, placed a shadow ruler just inside the regulation line, and said, "It's fine." The check was completed in just a few minutes. I was impressed that this is what a professional is like.
When construction began, I was ordered to lay out facade tiles. The tiles were scratched and had a very tasteful edge. The structural drawings and openings had to be adjusted carefully so that no tiles were left incomplete. Day after day, I stared at the elevations on the construction drawings and tapped on my calculator. When the exterior finishing work was completed and the scaffolding surrounding the building under construction was removed, the fully tiled exterior wall was revealed. It was indeed a very complicated exterior wall. However, the tiles were laid accurately, the sashes were properly fitted, and it was completed as a matter of course. There was no sign of any difficulty in laying them out. It was only natural that I was impressed by the superb cooperation and skill of the various craftsmen who worked on the formwork, sashes, tiles, etc. I also felt an indescribable emotion when I experienced seeing something I had drawn on paper actually come to fruition as a building. It seems that many people, not just me, have had the same feelings when a building they designed was completed for the first time.
By the way, in those days, my boss would criticize me in various ways during checks and meetings. However, I couldn't back down so easily. Now that my position has changed, I criticize him, but he accepts it surprisingly easily. What is this? While thinking about it, I thought of CAD. When I was drawing by hand, it took a lot of time and effort to finish one drawing. First, I thought about the layout, and after much deliberation, I finally drew the lines. This is because it was very difficult to correct a drawing once it was done. On the other hand, the introduction of CAD has significantly sped up drawing work. Drawings can be moved freely, and the same items can be copied and pasted, and corrections can be made only to the parts that need correction. Furthermore, with the spread of personal computers, many software programs are available, and it is easy to do not only shadows but also various complex examinations. Convenient things should be used to the fullest. However, I am a little concerned. As drawing has become easier, isn't it easy to draw a single line? Isn't the awareness that the line on the monitor is directly connected to the actual finished product becoming weak? Drawing a single line must be quite scary.
Inventions and discoveries have brought revolutionary changes to society. Also, new tools have made it possible to do things that were not possible before. The world of architecture is no different. We live in a virtual age, but architecture is extremely real. The essence of our work has not changed from the past to the present. Without forgetting this, I believe that now is the time to cherish a single line.
Profile
Director and Executive Managing Director Mitsubishi Jisho Design Inc.
President and CEO MEC Design International Corporation
Akihiko Watanabe
Akihiko Watanabe
Career
Joined Mitsubishi Estate Co., Ltd. in 1984
2001 Mitsubishi Jisho Design Inc.
2009: Head of the Architectural Design Department
2012: Executive Officer and Head of Architectural Design Department 2
2014: Managing Director and Head of Architectural Design Department 2
2015: Representative Director and Executive Officer
Current position since 2017
Major works and achievements
Nihon TV Tower, Yomiuri Hokkaido Building, Joyo Tsukuba Building, JA Building
Major Awards
2004 Good Design Award (Nihon TV Tower)
2005 46th BCS Award (Nihon TV Tower)
2006 Illuminating Engineering Institute of Japan Lighting Design Award (Yomiuri Hokkaido Building)
2007 Good Design Award (Yomiuri Hokkaido Building)
2012 Good Design Award (Koushoji Police Station and Parking Lot)
2013 Good Design Award (Toyo Bunko)
2013 Kanagawa Architecture Award (Chuo University Yokohama Junior & Senior High School)
2013 Tokyo Architecture Award (Toyo Bunko)
2013 Chubu Architecture Award (Koushoji Police Station and Parking Lot)
*The contents are as of the time of publication.
Update : 2014.08.01